Full Stop offers full-service audio and creative production for a wide range of projects
Audio production
- Creative production, collaboration and coaching
- In-studio engineering and recording of bands, ensembles, performers, voice-overs, etc.
- On-site recording for select projects
- Access to network of session musicians
LIVE RECORDING
- Performance and event recording
Post production
- Mixing for full albums and individual tracks
- Sound mixing for film, radio and podcasts
- Sound design for film, radio and podcasts
composition & Scoring
Composition and arrangement services for audio, film and performance projects
working with our artists
We work very closely with all our clients and offer service, attention and care as producers, composers and musicians. We meet you at your needs, providing creative direction, hands-on engineering and anything we can do to make your project sound its best, from playing on the record and helping with arrangements, to making sure it's mastered to its fullest potential.
“Took my music to a level I’d never dreamed of. Super knowledgable, regardless of genre, and a blast to work with!”
“Professional, responsive, a real joy to work with. I’ve brought Michael on several very different projects and he created beautiful music specific to each one. He’s able to translate my directorial vision into a musical language. ”
Trailer for Bluebeard, a film by Rachel Garber Cole
Score by Michael Simonelli
film, video and podcasts
From theme songs to full scores, Full Stop offers fully composed, recorded and mixed custom music for video and audio projects. Across any genre of music, Full Stop promises a quick turnaround and responsive edits.
Full Stop also offers mixing and sound design services to ensure your work sounds its best.
For commercial, advertising cues and jingles, please check out our commercial music page.
Sound design and engineering by Jason Oberholtzer
“Creative, professional, flexible, and fun to work with.
Jason and Andrew composed the exact song I had in my head, just from my description.”
Gear
PREAMPS
- (4) Seventh Circle N72
- Seventh Circle A12
- UA Solo 610
- UA Twinfinity 710
- Hamptone HVTP2
- (2) Five Fish SC-1 mkII
- CAPI VP28
- FMR RNP
EQ & DYNAMICS
- Warm Audio EQP-WA Pultec-style EQ
- Hairball 1176 Rev D
- Seventh Circle B16 Compressor
Mic Locker
- Mojave MA-200
- RCA 44B
- (2) MXL 990 w/ U87 style mod
- MXL V69 w/ custom capsule
- (2) Rode NT5 (John Bonnell modded)
- Heil PR40
- (2) Shure KSM-141
- (10+) Shure SM57
- Shure SM58
- (2) Shure SM7B
- Shure SM81
- (2) Cascade Fathead w/ Lundahl Transformer
- (2) Avantone CK-1
- Sennheiser e602
- (2) Sony ECM-V1BMP
- (2) Sanken Cos-11d
A/D Conversion
- MOTU, Focusrite and Presonus Converters
monitoring
- Yamaha HS 50
- Adam A7X
- JBL LSR305